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2016-03-01 15:00:04 I●●●●●●●●●●●● ●●●●●●ory ●●●●●●ies :●●●●●●●●●●●●ir-●●●●●●ista-●●●●●● ●●●●●● ●●●●●●in ●●●●●●eutic level ●●●●●● ●●●●●●s ●●●●●●ded The Sub has no ●●●●●●ll or real ●●●●●● ●●●●●●s, and its space had been an auto-●●●●●● ●●●●●●ty until some ●●●●●●d walls made it a place where ●●●●●●—●●●●●●n ●●●●●●, ●●●●●●—might spend their days. Hwin, who moved in four years and two ●●●●●●ss ●●●●●●es ago, now has space in a ●●●●●●ure that he calls “the doll house.” It is a ●●●●●●ious-●●●●●●g loft of two ●●●●●●d rooms done up with paint and fake ●●●●●●s to ●●●●●●le a fairy-tale ●●●●●●e. The doll house is the most ●●●●●●table of the Sub’s five ●●●●●● (one guy hangs out in an old ●●●●●●or shaft), but ●●●●●●t is not the venue’s ●●●●●●r ●●●●●●g point. |