Ｑ＆Ａ｜pE●●●●●●SdcyGQIDVzL|交際クラブQ&A｜交際クラブの質問

2016-04-11 09:34:21

●●●●●●t ●●●●●● ●●●●●● :●●●●●●t.●●●●●●●●●●●●-●●●●●●ord ●●●●●● same price as ●●●●●●cs And what was the true ●●●●●● of this ●●●●●●●●●●●●s stuff? A final clue came from “C●●●●●●ity: Flow and the P●●●●●●ogy of D●●●●●●ry and I●●●●●●on” (1996), in which Mihaly C●●●●●●●●●●●●lyi ●●●●●●●●●●●● that, far from being an act of ●●●●●●dual ●●●●●●ation, what we call ●●●●●●vity is ●●●●●● an ●●●●●●sion of ●●●●●●●●●●●● ●●●●●●sus. Using V●●●●●● van Gogh as an ●●●●●●e, the ●●●●●● ●●●●●●es that the ●●●●●●’s “●●●●●●vity came into being when a ●●●●●●ient ●●●●●● of art ●●●●●●s felt that his ●●●●●●ngs had ●●●●●●ing ●●●●●●ant to ●●●●●●bute to the ●●●●●● of art.” I●●●●●●ion, that is, ●●●●●● only when the ●●●●●●tly ●●●●●●●●●●●● ●●●●●●nd ●●●●●● that it does. And “●●●●●●t such a ●●●●●●se,” the ●●●●●● ●●●●●●ues, “van Gogh would have ●●●●●●ed what he was, a ●●●●●●bed man who ●●●●●●d ●●●●●●e ●●●●●●es.” What ●●●●●●ines “●●●●●●vity,” in other words, is the very ●●●●●●n it’s ●●●●●●edly ●●●●●●ing ●●●●●●t: ●●●●●●ished ●●●●●●ise.