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2016-04-20 12:04:03 I live in London buy ●●●●●●eride ●●●●●● india This ●●●●●●ng of tech-●●●●●●ss ●●●●●● with life-style ●●●●●● and ●●●●●●tics—and, from there, the world of art—●●●●●● many ●●●●●● out. C●●●●●●e ●●●●●●es are ●●●●●●●●●●●●y ●●●●●●t to arise at the quaky hands of aloof ●●●●●●ts; ●●●●●●ment funds, we know, do not ●●●●●●ly “stand for” ●●●●●●ng ●●●●●● being good ●●●●●●ment funds. Why, then, did Johnny Hwin speak so ●●●●●●y about how his ●●●●●●ss ●●●●●●sts, his life style, and his art ●●●●●● one ●●●●●●r? To him, it wasn’t a ●●●●●●. He was into “●●●●●●ve, ●●●●●●l ●●●●●●” in part ●●●●●●e it ●●●●●● his ●●●●●●ss ●●●●●●sts. His ●●●●●●ss ●●●●●●sts ●●●●●● bring ●●●●●● ●●●●●●er ●●●●●● ●●●●●●round art. In the ●●●●●●s, ●●●●●●ntial art-and-●●●●●●ss ●●●●●● were ●●●●●●d to ●●●●●●ve, ●●●●●●l ●●●●●●. I had been ●●●●●●ing, I ●●●●●●ed, for ●●●●●●ing that didn’t quite add up, but, so far, it all ●●●●●● to sum quite ●●●●●●. |