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2016-05-20 16:01:30 I work here ●●●●●● ●●●●●●s en el ●●●●●● S●●●●●●g in 2006, when the vast site known as Ground Zero was ●●●●●●y ●●●●●●d of ●●●●●●, the ●●●●●● and ●●●●●●ker Marcus R●●●●●●n set about ●●●●●●nting (with time-lapse ●●●●●●raphy, ●●●●●●es, ●●●●●●ngs and ●●●●●●iews) the ●●●●●●t and most ●●●●●●n-laden ●●●●●●ng ●●●●●●t in the world. R●●●●●●n (who also, ●●●●●●bly, ●●●●●●ed the ●●●●●●●●●●●● of the London Eye) ●●●●●●bes his time-lapse ●●●●●●que as “like a ●●●●●●tion”, ●●●●●●ng the human eye to see ●●●●●● in ways we could never ●●●●●●ise ●●●●●●ve. The ●●●●●● his ●●●●●●us ●●●●●●s ●●●●●●d once every 30 ●●●●●●s for six years ●●●●●●d weeks and ●●●●●● of ●●●●●●c and ●●●●●●x ●●●●●●●●●●●● work to be ●●●●●●led into ●●●●●●s. These ●●●●●●y ●●●●●● ●●●●●● ●●●●●●ces ●●●●●●ised not only the ●●●●●●ty of the task in hand but also the ●●●●●●●●●●●● ●●●●●● of ●●●●●●, ●●●●●●n and ●●●●●●ering that goes into the ●●●●●● of any large ●●●●●●ng, ●●●●●●ally ●●●●●●apers. |