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2016-01-02 20:06:49 The line's ●●●●●●d is ●●●●●●ft ●●●●●●r "It’s an ●●●●●●sting story. I’d just come out of drama ●●●●●● and was ●●●●●●oning for a play at the N●●●●●●l [T●●●●●●] and I got down to the last two. I didn’t get it and was ●●●●●●sly ●●●●●● but then, about two weeks later, the ●●●●●●g ●●●●●●or at the N●●●●●●l ●●●●●● me and said, ‘You know, sorry that play didn’t work out but would you be ●●●●●●sted in doing this ●●●●●●op ●●●●●●d?' It was a three-week ●●●●●●op for a new play that they were ●●●●●●ng ●●●●●● War Horse. So I got the book and read it and ●●●●●●ed that, ‘Bloody hell, this is ●●●●●●g’. Albert is an ●●●●●●g part for a young Devon lad, but, you know, I didn’t think I 'd get it. Then every day in the ●●●●●●op, I kept being given this part to read, and, ●●●●●●ally, in the last week, I got asked to do it. It was ●●●●●●g being there at the early ●●●●●●, when the ●●●●●●s hadn't ●●●●●●d from South Africa – it was ●●●●●●’s hands on the backs of ●●●●●●’s ●●●●●●ers as a horse, you know. We would be ●●●●●●ng ●●●●●●’s heads. Some of the early ●●●●●● from that ●●●●●●op would make us all laugh now quite a lot." |