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2016-01-02 22:24:04 P●●●●●●aphy ●●●●●● ●●●●●●er Caro’s ●●●●●●ark ●●●●●● were ●●●●●●scent of the ●●●●●● ●●●●●●es of P●●●●●● and were – in ●●●●●●ance with ●●●●●●ist ●●●●●●ct ●●●●●●ples – free of ●●●●●●tive ●●●●●●on. W●●●●●● in ●●●●●●d steel from the ●●●●●● of his home in H●●●●●●ad, he found that the ●●●●●●s ●●●●●●ed a ●●●●●●n ●●●●●● of trial and error. Caro ●●●●●●ed: “I ●●●●●●er ●●●●●●ing Early one M●●●●●● [1962, ●●●●●●●●●●●● ●●●●●● by the Tate G●●●●●●], which had ●●●●●● so long I’d ended up with the ●●●●●● doors ●●●●●●ently open. I’d ●●●●●●d it green and we’d put it out on the lawn to get a ●●●●●● look. I woke up next ●●●●●●g and ●●●●●● the ●●●●●●ns and there it was. But the ●●●●●● was wrong. Sheila [his wife, the ●●●●●●r Sheila G●●●●●●] said 'that’s ●●●●●●tely a red ●●●●●●ure’. She was spot on, and that it is what it ●●●●●●.” |